Churches
St. Mary’s Graffiti
Much to the chagrin of the good citizens of the parish of St Mary’s Church in Hitchin, graffiti has appeared (or I should say more has appeared) on the north door. This is not a modern or ‘new’ phenomenon at all. One should look at the pillars of the door frame on both sides, to see lots and lots of carved graffiti dating back to the 1960s, 1950s, 1930s; even back a hundred years. In churches all around the parishes of Britain, one will find similar graffiti (and going back to 1700 say) Things such as names, love tokens or just dates. The Romans did this too, as did the Egyptians, Greeks, Vikings et al. As the expression goes, ‘There is nothing new under the sun’!
Hitchin Iconoclasts
The beautiful south door of St Mary’s Church in Hitchin shows just how the Iconoclasts did a ‘good’ job and destroyed nine statues that stood in the niches that are part of the doorway. However, they did not get the three figures at the very top. Presumably because they couldn’t be pulled down or chiseled out. Just how much more imposing and beautiful would churches have been with all their statuary around and inside them; including the brightly painted walls with scenes of the saints and from the bible.
Putlog Holes
God or the Clergy didn’t build Churches, rather, Masons did and evidence of the builders of St Mary’s Church in Hitchin are everywhere inside and out. The major detectable traces are ‘Masonry Marks’ on the stone and the scaffolding holes called Putlog Holes. If freestanding scaffolding like today wasn’t used, then the usual ‘Cantilevered Scaffolding’ (Or more commonly known as Falsework) was used. These Putlog Holes above, were where the scaffolding planking passed through the entire width of the wall. (As walls were erected inside and out at the same time, unlike today). When the work was finished, the planking was either pulled out or sawn off, flush to the wall.
St Mary’s Church Font Cover
St Mary’s Church in Hitchin is blessed with a beautiful font cover (Pictured above) Font covers were originally used from 1236 onwards (Ordered by Edmund, Archbisop of Canterbury) as a protection from Sorcery. (“Fontes baptismales sub sera clausi teneantur propter sortilegia”) Some have plain ‘lids’ over the stone fonts or like this one above, very ornate and raised by a cable and pulley system and sometimes counter weights. A lot are kept in this raised position and others actually lowered over the font and only raised for Baptisms. Some font covers did survive the Cromwellian destruction. These iconoclasts were opposed to any ornamentation, decoration or statues. Other font covers are Victorian copies of earlier originals. Whether it is an original or a copy, it is a welcome addition to the church ‘experience’.
A Gargoyle’s View
Imagine if you will, that you’re a Gargoyle. What would you see all day long? Who would you look down upon in your stiff stone life? Are you there to protect the church, to scare away non-believers or other demonic creatures? Whatever the fact is, this is one of the views of one of the Gargoyles on St Mary’s Church overlooking the Triangle Café, The War Memorial and other shops.
(NB. The word Gargoyle comes from Old French Garguoille and Late Latin Gurgulio, both meaning ‘Throat’ and indicates one of the uses of a Gargoyle; that of a water spout for rain water) Here from the top of St. Mary’s Church, you can see the roof tops of some of the buildings that encircle Market Place, one of them being the lovely Triangle Café.